|Birth Day:||October 16, 1854|
|Death Date:||Nov 30, 1900 (age 46)|
|Birth Place:||Dublin, Ireland|
|Height:||in centimeters - N/A|
|Weight:||in kg - N/A|
As per our current Database, Oscar Wilde died on Nov 30, 1900 (age 46).
In mid-1891 Lionel Johnson introduced Wilde to Lord Alfred Douglas, Johnson's cousin and an undergraduate at Oxford at the time. Known to his family and friends as "Bosie", he was a handsome and spoilt young man. An intimate friendship sprang up between Wilde and Douglas and by 1893 Wilde was infatuated with Douglas and they consorted together regularly in a tempestuous affair. If Wilde was relatively indiscreet, even flamboyant, in the way he acted, Douglas was reckless in public. Wilde, who was earning up to £100 a week from his plays (his salary at The Woman's World had been £6), indulged Douglas's every whim: material, artistic, or sexual.
He studied at Trinity College, Dublin and at Magdalen College, Oxford and was known during his university years for his humorously eccentric persona. He published his collected Poems in 1881, when he was twenty-seven years old.
In 1855, the family moved to No. 1 Merrion Square, where Wilde's sister, Isola, was born in 1857. The Wildes' new home was larger. With both his parents' success and delight in social life, the house soon became the site of a "unique medical and cultural milieu". Guests at their salon included Sheridan Le Fanu, Charles Lever, George Petrie, Isaac Butt, William Rowan Hamilton and Samuel Ferguson.
William Wilde was Ireland's leading oto-ophthalmologic (ear and eye) surgeon and was knighted in 1864 for his services as medical adviser and assistant commissioner to the censuses of Ireland. He also wrote books about Irish archaeology and peasant folklore. A renowned philanthropist, his dispensary for the care of the city's poor at the rear of Trinity College, Dublin, was the forerunner of the Dublin Eye and Ear Hospital, now located at Adelaide Road. On his father's side Wilde was descended from a Dutchman, Colonel de Wilde, who went to Ireland with King William of Orange's invading army in 1690, and numerous Anglo-Irish ancestors. On his mother's side, Wilde's ancestors included a bricklayer from County Durham, who emigrated to Ireland sometime in the 1770s.
Until he was nine, Oscar Wilde was educated at home, where a French nursemaid and a German governess taught him their languages. He joined his brother Willie at Portora Royal School in Enniskillen, County Fermanagh, which he attended from 1864 to 1871. At Portora, although he was not as popular as his older brother, Oscar Wilde impressed his peers with the humorous and inventive school stories he told. Later in life he claimed that his fellow students had regarded him as a "prodigy" for his ability to speed read, claiming that he could read two facing pages simultaneously and consume a three-volume book in half an hour, retaining enough information to give a basic account of the plot. He excelled academically, particularly in the subject of Classics, in which he ranked fourth in the school in 1869. His aptitude for giving oral translations of Greek and Latin texts won him multiple prizes, including the Carpenter Prize for Greek Testament. He was one of only three students at Portora to win a Royal School scholarship to Trinity in 1871.
Catholicism deeply appealed to him, especially its rich liturgy, and he discussed converting to it with clergy several times. In 1877, Wilde was left speechless after an audience with Pope Pius IX in Rome. He eagerly read the books of Cardinal Newman, a noted Anglican priest who had converted to Catholicism and risen in the church hierarchy. He became more serious in 1878, when he met the Reverend Sebastian Bowden, a priest in the Brompton Oratory who had received some high-profile converts. Neither his father, who threatened to cut off his funds, nor Mahaffy thought much of the plan; but Wilde, the supreme individualist, balked at the last minute from pledging himself to any formal creed, and on the appointed day of his baptism, sent Father Bowden a bunch of altar lilies instead. Wilde did retain a lifelong interest in Catholic theology and liturgy.
Wilde won the 1878 Newdigate Prize for his poem "Ravenna", which reflected on his visit there the year before, and he duly read it at Encaenia. In November 1878, he graduated with a double first in his B.A. of Classical Moderations and Literae Humaniores (Greats). Wilde wrote to a friend, "The dons are 'astonied' beyond words – the Bad Boy doing so well in the end!"
After graduation from Oxford, Wilde returned to Dublin, where he met again Florence Balcombe, a childhood sweetheart. She became engaged to Bram Stoker and they married in 1878. Wilde was disappointed but stoic: he wrote to her, remembering "the two sweet years – the sweetest years of all my youth" during which they had been close. He also stated his intention to "return to England, probably for good." This he did in 1878, only briefly visiting Ireland twice after that.
In London, he had been introduced in 1881 to Constance Lloyd, daughter of Horace Lloyd, a wealthy Queen's Counsel, and his wife. She happened to be visiting Dublin in 1884, when Wilde was lecturing at the Gaiety Theatre. He proposed to her, and they married on 29 May 1884 at the Anglican St James's Church, Paddington, in London. Although Constance had an annual allowance of £250, which was generous for a young woman (equivalent to about £26,300 in current value), the Wildes had relatively luxurious tastes. They had preached to others for so long on the subject of design that people expected their home to set new standards. No. 16, Tite Street was duly renovated in seven months at considerable expense. The couple had two sons together, Cyril (1885) and Vyvyan (1886). Wilde became the sole literary signatory of George Bernard Shaw's petition for a pardon of the anarchists arrested (and later executed) after the Haymarket massacre in Chicago in 1886.
The book had further printings in 1882. It was bound in a rich, enamel parchment cover (embossed with gilt blossom) and printed on hand-made Dutch paper; over the next few years, Wilde presented many copies to the dignitaries and writers who received him during his lecture tours.
According to biographer Michèle Mendelssohn, Wilde was the subject of anti-Irish caricature and was portrayed as a monkey, a blackface performer and a Christy's Minstrel throughout his career. "Harper's Weekly put a sunflower-worshipping monkey dressed as Wilde on the front of the January 1882 issue. The magazine didn't let its reputation for quality impede its expression of what are now considered odious ethnic and racial ideologies. The drawing stimulated other American maligners and, in England, had a full-page reprint in the Lady's Pictorial. ... When the National Republican discussed Wilde, it was to explain 'a few items as to the animal's pedigree.' And on 22 January 1882 the Washington Post illustrated the Wild Man of Borneo alongside Oscar Wilde of England and asked 'How far is it from this to this?'" Though his press reception was hostile, Wilde was well received in diverse settings across America; he drank whiskey with miners in Leadville, Colorado, and was fêted at the most fashionable salons in many cities he visited.
Robert Ross had read Wilde's poems before they met at Oxford in 1886. He seemed unrestrained by the Victorian prohibition against homosexuality, and became estranged from his family. By Richard Ellmann's account, he was a precocious seventeen-year-old who "so young and yet so knowing, was determined to seduce Wilde". According to Daniel Mendelsohn, Wilde, who had long alluded to Greek love, was "initiated into homosexual sex" by Ross, while his "marriage had begun to unravel after his wife's second pregnancy, which left him physically repelled".
Wilde published The Happy Prince and Other Tales in 1888, and had been regularly writing fairy stories for magazines. In 1891 he published two more collections, Lord Arthur Savile's Crime and Other Stories, and in September A House of Pomegranates was dedicated "To Constance Mary Wilde". "The Portrait of Mr. W. H.", which Wilde had begun in 1887, was first published in Blackwood's Edinburgh Magazine in July 1889. It is a short story, which reports a conversation, in which the theory that Shakespeare's sonnets were written out of the poet's love of the boy actor "Willie Hughes", is advanced, retracted, and then propounded again. The only evidence for this is two supposed puns within the sonnets themselves.
The initial vigour and excitement which he brought to the job began to fade as administration, commuting and office life became tedious. At the same time as Wilde's interest flagged, the publishers became concerned anew about circulation: sales, at the relatively high price of one shilling, remained low. Increasingly sending instructions to the magazine by letter, Wilde began a new period of creative work and his own column appeared less regularly. In October 1889, Wilde had finally found his voice in prose and, at the end of the second volume, Wilde left The Woman's World. The magazine outlasted him by one issue.
During the late 1880s, Wilde was a close friend of the artist James McNeill Whistler and they dined together on many occasions. At one of these dinners, Whistler said a bon mot that Wilde found particularly witty, Wilde exclaimed that he wished that he had said it, and Whistler retorted "You will, Oscar, you will". Herbert Vivian—a mutual friend of Wilde and Whistler— attended the dinner and recorded it in his article The Reminiscences of a Short Life which appeared in The Sun in 1889. The article alleged that Wilde had a habit of passing off other people's witticisms as his own—especially Whistler's. Wilde considered Vivian's article to be a scurrilous betrayal, and it directly caused the broken friendship between Wilde and Whistler. The Reminiscences also caused great acrimony between Wilde and Vivian, Wilde accusing Vivian of "the inaccuracy of an eavesdropper with the method of a blackmailer" and banishing Vivian from his circle.
Wilde, having tired of journalism, had been busy setting out his aesthetic ideas more fully in a series of longer prose pieces which were published in the major literary-intellectual journals of the day. In January 1889, The Decay of Lying: A Dialogue appeared in The Nineteenth Century, and Pen, Pencil and Poison, a satirical biography of Thomas Griffiths Wainewright, in The Fortnightly Review, edited by Wilde's friend Frank Harris. Two of Wilde's four writings on aesthetics are dialogues: though Wilde had evolved professionally from lecturer to writer, he retained an oral tradition of sorts. Having always excelled as a wit and raconteur, he often composed by assembling phrases, bons mots and witticisms into a longer, cohesive work.
Wilde considered including this pamphlet and The Portrait of Mr. W.H., his essay-story on Shakespeare's sonnets, in a new anthology in 1891, but eventually decided to limit it to purely aesthetic subjects. Intentions packaged revisions of four essays: The Decay of Lying; Pen, Pencil and Poison; The Truth of Masks (first published 1885); and The Critic as Artist in two parts. For Pearson the biographer, the essays and dialogues exhibit every aspect of Wilde's genius and character: wit, romancer, talker, lecturer, humanist and scholar and concludes that "no other productions of his have as varied an appeal". 1891 turned out to be Wilde's annus mirabilis; apart from his three collections he also produced his only novel.
The 1891 census records the Wildes' residence at 16 Tite Street, where he lived with his wife Constance and two sons. Wilde though, not content with being better known than ever in London, returned to Paris in October 1891, this time as a respected writer. He was received at the salons littéraires, including the famous mardis of Stéphane Mallarmé, a renowned symbolist poet of the time. Wilde's two plays during the 1880s, Vera; or, The Nihilists and The Duchess of Padua, had not met with much success. He had continued his interest in the theatre and now, after finding his voice in prose, his thoughts turned again to the dramatic form as the biblical iconography of Salome filled his mind. One evening, after discussing depictions of Salome throughout history, he returned to his hotel and noticed a blank copybook lying on the desk, and it occurred to him to write in it what he had been saying. The result was a new play, Salomé, written rapidly and in French.
Wilde, who had first set out to irritate Victorian society with his dress and talking points, then outrage it with Dorian Gray, his novel of vice hidden beneath art, finally found a way to critique society on its own terms. Lady Windermere's Fan was first performed on 20 February 1892 at St James's Theatre, packed with the cream of society. On the surface a witty comedy, there is subtle subversion underneath: "it concludes with collusive concealment rather than collective disclosure". The audience, like Lady Windermere, are forced to soften harsh social codes in favour of a more nuanced view. The play was enormously popular, touring the country for months, but largely trashed by conservative critics. The success of the play saw Wilde earn £7,000 in the first year alone (worth £766,800 today).
A tragedy, it tells the story of Salome, the stepdaughter of the tetrarch Herod Antipas, who, to her stepfather's dismay but mother's delight, requests the head of Jokanaan (John the Baptist) on a silver platter as a reward for dancing the Dance of the Seven Veils. When Wilde returned to London just before Christmas the Paris Echo referred to him as "le great event" of the season. Rehearsals of the play, starring Sarah Bernhardt, began but the play was refused a licence by the Lord Chamberlain, since it depicted biblical characters. Salome was published jointly in Paris and London in 1893, but was not performed until 1896 in Paris, during Wilde's later incarceration.
His first hit play was followed by A Woman of No Importance in 1893, another Victorian comedy, revolving around the spectre of illegitimate births, mistaken identities and late revelations. Wilde was commissioned to write two more plays and An Ideal Husband, written in 1894, followed in January 1895.
Lord Alfred's father, the Marquess of Queensberry, was known for his outspoken atheism, brutish manner and creation of the modern rules of boxing. Queensberry, who feuded regularly with his son, confronted Wilde and Lord Alfred about the nature of their relationship several times, but Wilde was able to mollify him. In June 1894, he called on Wilde at 16 Tite Street, without an appointment, and clarified his stance: "I do not say that you are it, but you look it, and pose at it, which is just as bad. And if I catch you and my son again in any public restaurant I will thrash you" to which Wilde responded: "I don't know what the Queensberry rules are, but the Oscar Wilde rule is to shoot on sight". His account in De Profundis was less triumphant: "It was when, in my library at Tite Street, waving his small hands in the air in epileptic fury, your father... stood uttering every foul word his foul mind could think of, and screaming the loathsome threats he afterwards with such cunning carried out". Queensberry only described the scene once, saying Wilde had "shown him the white feather", meaning he had acted in a cowardly way. Though trying to remain calm, Wilde saw that he was becoming ensnared in a brutal family quarrel. He did not wish to bear Queensberry's insults, but he knew to confront him could lead to disaster were his liaisons disclosed publicly.
The play, now considered Wilde's masterpiece, was rapidly written in Wilde's artistic maturity in late 1894. It was first performed on 14 February 1895, at St James's Theatre in London, Wilde's second collaboration with George Alexander, the actor-manager. Both author and producer assiduously revised, prepared and rehearsed every line, scene and setting in the months before the premiere, creating a carefully constructed representation of late-Victorian society, yet simultaneously mocking it. During rehearsal Alexander requested that Wilde shorten the play from four acts to three, which the author did. Premieres at St James's seemed like "brilliant parties", and the opening of The Importance of Being Earnest was no exception. Allan Aynesworth (who played Algernon) recalled to Hesketh Pearson, "In my fifty-three years of acting, I never remember a greater triumph than [that] first night." Earnest's immediate reception as Wilde's best work to date finally crystallised his fame into a solid artistic reputation. The Importance of Being Earnest remains his most popular play.
On 18 February 1895, the Marquess left his calling card at Wilde's club, the Albemarle, inscribed: "For Oscar Wilde, posing somdomite" [sic]. Wilde, encouraged by Douglas and against the advice of his friends, initiated a private prosecution against Queensberry for libel, since the note amounted to a public accusation that Wilde had committed the crime of sodomy.
Wilde's friends had advised him against the prosecution at a Saturday Review meeting at the Café Royal on 24 March 1895; Frank Harris warned him that "they are going to prove sodomy against you" and advised him to flee to France. Wilde and Douglas walked out in a huff, Wilde saying "it is at such moments as these that one sees who are one's true friends". The scene was witnessed by George Bernard Shaw who recalled it to Arthur Ransome a day or so before Ransome's trial for libelling Douglas in 1913. To Ransome it confirmed what he had said in his 1912 book on Wilde; that Douglas's rivalry for Wilde with Robbie Ross and his arguments with his father had resulted in Wilde's public disaster; as Wilde wrote in De Profundis. Douglas lost his case. Shaw included an account of the argument between Harris, Douglas and Wilde in the preface to his play The Dark Lady of the Sonnets.
The trial opened at the Old Bailey on 3 April 1895 before Justice Richard Henn Collins amid scenes of near hysteria both in the press and the public galleries. The extent of the evidence massed against Wilde forced him to declare meekly, "I am the prosecutor in this case". Wilde's lawyer, Sir Edward George Clarke, opened the case by pre-emptively asking Wilde about two suggestive letters Wilde had written to Douglas, which the defence had in its possession. He characterised the first as a "prose sonnet" and admitted that the "poetical language" might seem strange to the court but claimed its intent was innocent. Wilde stated that the letters had been obtained by blackmailers who had attempted to extort money from him, but he had refused, suggesting they should take the £60 (equal to £7,000 today) offered, "unusual for a prose piece of that length". He claimed to regard the letters as works of art rather than something of which to be ashamed.
After Wilde left the court, a warrant for his arrest was applied for on charges of sodomy and gross indecency. Robbie Ross found Wilde at the Cadogan Hotel, Pont Street, Knightsbridge, with Reginald Turner; both men advised Wilde to go at once to Dover and try to get a boat to France; his mother advised him to stay and fight. Wilde, lapsing into inaction, could only say, "The train has gone. It's too late." On 6 April 1895, Wilde was arrested for "gross indecency" under Section 11 of the Criminal Law Amendment Act 1885, a term meaning homosexual acts not amounting to buggery (an offence under a separate statute). At Wilde's instruction, Ross and Wilde's butler forced their way into the bedroom and library of 16 Tite Street, packing some personal effects, manuscripts, and letters. Wilde was then imprisoned on remand at Holloway, where he received daily visits from Douglas.
Events moved quickly and his prosecution opened on 26 April 1895, before Mr Justice Charles. Wilde pleaded not guilty. He had already begged Douglas to leave London for Paris, but Douglas complained bitterly, even wanting to give evidence; he was pressed to go and soon fled to the Hotel du Monde. Fearing persecution, Ross and many others also left the United Kingdom during this time. Under cross examination Wilde was at first hesitant, then spoke eloquently:
The final trial was presided over by Mr Justice Wills. On 25 May 1895 Wilde and Alfred Taylor were convicted of gross indecency and sentenced to two years' hard labour. The judge described the sentence, the maximum allowed, as "totally inadequate for a case such as this", and that the case was "the worst case I have ever tried". Wilde's response "And I? May I say nothing, my Lord?" was drowned out in cries of "Shame" in the courtroom.
Richard B. Haldane, the Liberal MP and reformer, visited Wilde and had him transferred in November to Reading Gaol, 30 miles (48 km) west of London on 23 November 1895. The transfer itself was the lowest point of his incarceration, as a crowd jeered and spat at him on the railway platform. He spent the remainder of his sentence there, addressed and identified only as "C.3.3" – the occupant of the third cell on the third floor of C ward.
About five months after Wilde arrived at Reading Gaol, Charles Thomas Wooldridge, a trooper in the Royal Horse Guards, was brought to Reading to await his trial for murdering his wife on 29 March 1896; on 17 June Wooldridge was sentenced to death and returned to Reading for his execution, which took place on Tuesday, 7 July 1896 – the first hanging at Reading in 18 years. From Wooldridge's hanging, Wilde later wrote The Ballad of Reading Gaol.
Wilde was released from prison on 19 May 1897 and sailed that evening for Dieppe, France. He never returned to the UK.
Although Douglas had been the cause of his misfortunes, he and Wilde were reunited in August 1897 at Rouen. This meeting was disapproved of by the friends and families of both men. Constance Wilde was already refusing to meet Wilde or allow him to see their sons, though she sent him money – three pounds a week. During the latter part of 1897, Wilde and Douglas lived together near Naples for a few months until they were separated by their families under the threat of cutting off all funds.
He wandered the boulevards alone and spent what little money he had on alcohol. A series of embarrassing chance encounters with hostile English visitors, or Frenchmen he had known in better days, drowned his spirit. Soon Wilde was sufficiently confined to his hotel to joke, on one of his final trips outside, "My wallpaper and I are fighting a duel to the death. One of us has got to go". On 12 October 1900 he sent a telegram to Ross: "Terribly weak. Please come". His moods fluctuated; Max Beerbohm relates how their mutual friend Reginald 'Reggie' Turner had found Wilde very depressed after a nightmare. "I dreamt that I had died, and was supping with the dead!" "I am sure", Turner replied, "that you must have been the life and soul of the party." Turner was one of the few of the old circle who remained with Wilde to the end and was at his bedside when he died.
Wilde died of meningitis on 30 November 1900. Different opinions are given as to the cause of the disease: Richard Ellmann claimed it was syphilitic; Merlin Holland, Wilde's grandson, thought this to be a misconception, noting that Wilde's meningitis followed a surgical intervention, perhaps a mastoidectomy; Wilde's physicians, Dr Paul Cleiss and A'Court Tucker, reported that the condition stemmed from an old suppuration of the right ear (from the prison injury, see above) treated for several years (une ancienne suppuration de l'oreille droite d'ailleurs en traitement depuis plusieurs années) and made no allusion to syphilis.
Wilde was baptised as an infant in St. Mark's Church, Dublin, the local Church of Ireland (Anglican) church. When the church was closed, the records were moved to the nearby St. Ann's Church, Dawson Street. Davis Coakley mentions a second baptism by a Catholic priest, Father Prideaux Fox, who befriended Oscar's mother circa 1859. According to Fox's testimony in Donahoe's Magazine in 1905, Jane Wilde would visit his chapel in Glencree, County Wicklow, for Mass and would take her sons with her. She asked Father Fox in this period to baptise her sons.
On his release, he gave the manuscript to Ross, who may or may not have carried out Wilde's instructions to send a copy to Douglas (who later denied having received it). The letter was partially published in 1905 as De Profundis; its complete and correct publication first occurred in 1962 in The Letters of Oscar Wilde.
Wilde was initially buried in the Cimetière de Bagneux outside Paris; in 1909 his remains were disinterred and transferred to Père Lachaise Cemetery, inside the city. His tomb there was designed by Sir Jacob Epstein. It was commissioned by Robert Ross, who asked for a small compartment to be made for his own ashes, which were duly transferred in 1950. The modernist angel depicted as a relief on the tomb was originally complete with male genitalia, which were initially censored by French Authorities with a golden leaf. The genitals have since been vandalised; their current whereabouts are unknown. In 2000, Leon Johnson, a multimedia artist, installed a silver prosthesis to replace them. In 2011, the tomb was cleaned of the many lipstick marks left there by admirers and a glass barrier was installed to prevent further marks or damage.
Oscar Wilde, a critical study by Arthur Ransome was published in 1912. The book only briefly mentioned Wilde's life, but subsequently Ransome (and The Times Book Club) were sued for libel by Lord Alfred Douglas. At the High Court in London in April 1913 Douglas lost the libel action after a reading of De Profundis refuted his claims.
Parisian literati, also produced several biographies and monographs on him. André Gide wrote In Memoriam, Oscar Wilde and Wilde also features in his journals. Thomas Louis, who had earlier translated books on Wilde into French, produced his own L'esprit d'Oscar Wilde in 1920. Modern books include Philippe Jullian's Oscar Wilde, and L'affaire Oscar Wilde, ou, Du danger de laisser la justice mettre le nez dans nos draps (The Oscar Wilde Affair, or, On the Danger of Allowing Justice to put its Nose in our Sheets) by Odon Vallet, a French religious historian.
This point of view did not align him with the Fabians, intellectual socialists who advocated using state apparatus to change social conditions, nor did it endear him to the monied classes whom he had previously entertained. Hesketh Pearson, introducing a collection of Wilde's essays in 1950, remarked how The Soul of Man Under Socialism had been an inspirational text for revolutionaries in Tsarist Russia but laments that in the Stalinist era "it is doubtful whether there are any uninspected places in which it could now be hidden".
Wilde's life has been the subject of numerous biographies since his death. The earliest were memoirs by those who knew him: often they are personal or impressionistic accounts which can be good character sketches, but are sometimes factually unreliable. Frank Harris, his friend and editor, wrote a biography, Oscar Wilde: His Life and Confessions (1916); though prone to exaggeration and sometimes factually inaccurate, it offers a good literary portrait of Wilde. Lord Alfred Douglas wrote two books about his relationship with Wilde. Oscar Wilde and Myself (1914), largely ghost-written by T. W. H. Crosland, vindictively reacted to Douglas's discovery that De Profundis was addressed to him and defensively tried to distance him from Wilde's scandalous reputation. Both authors later regretted their work. Later, in Oscar Wilde: A Summing Up (1939) and his Autobiography he was more sympathetic to Wilde. Of Wilde's other close friends, Robert Sherard; Robert Ross, his literary executor; and Charles Ricketts variously published biographies, reminiscences or correspondence. The first more or less objective biography of Wilde came about when Hesketh Pearson wrote Oscar Wilde: His Life and Wit (1946). In 1954 Wilde's son Vyvyan Holland published his memoir Son of Oscar Wilde, which recounts the difficulties Wilde's wife and children faced after his imprisonment. It was revised and updated by Merlin Holland in 1989.
Richard Ellmann wrote his 1987 biography Oscar Wilde, for which he posthumously won a National (US) Book Critics Circle Award in 1988 and a Pulitzer Prize in 1989. The book was the basis for the 1997 film Wilde, directed by Brian Gilbert and starring Stephen Fry as the title character.
On 14 February 1995, Wilde was commemorated with a stained-glass window at Poets' Corner in Westminster Abbey. The memorial, above the monument to Geoffrey Chaucer, was unveiled by his grandson Merlin Holland, while Sir John Gielgud read from the final part of De Profundis and Dame Judi Dench read an extract from The Importance of Being Earnest.
Neil McKenna's 2003 biography, The Secret Life of Oscar Wilde, offers an exploration of Wilde's sexuality. Often speculative in nature, it was widely criticised for its pure conjecture and lack of scholarly rigour. Thomas Wright's Oscar's Books (2008) explores Wilde's reading from his childhood in Dublin to his death in Paris. After tracking down many books that once belonged to Wilde's Tite Street library (dispersed at the time of his trials), Wright was the first to examine Wilde's marginalia.
In 2014 Wilde was one of the inaugural honorees in the Rainbow Honor Walk, a walk of fame in San Francisco's Castro neighbourhood noting LGBTQ people who have "made significant contributions in their fields."
In 2017, Wilde was among an estimated 50,000 men who were pardoned for homosexual acts that were no longer considered offences under the Policing and Crime Act 2017 (homosexuality was decriminalised in England and Wales in 1967). The 2017 Act implements what is known informally as the Alan Turing law.
The Oscar Wilde Temple, an installation by visual artists McDermott & McGough, opened in 2017 in cooperation with Church of the Village in New York City, then moved to Studio Voltaire in London the next year.
In 2018, Matthew Sturgis' Oscar: A Life, was published in London. The book incorporates rediscovered letters and other documents and is the most extensively researched biography of Wilde to appear since 1988.
Oscar and his two siblings were the children of Sir William and Jane Wilde, prominent Dublin intellectuals. Oscar Wilde later married and had two children with Constance Lloyd, but his marriage disintegrated after he was arrested on charges of sodomy.
Currently, Oscar Wilde is 168 years, 1 months and 11 days old. Oscar Wilde will celebrate 169th birthday on a Monday 16th of October 2023. Below we countdown to Oscar Wilde upcoming birthday.
Oscar Wilde's 159th Birthday at the Cadogan Hotel, London
On the anniversary of Oscar Wilde's birth this year, Gyles Brandreth decided to gather a group of cheery actors, journalists and politic...