Musidora

Born Jeanne Roques in Paris, France to music composer and theorist of socialism Jacques Roques and painter and feminist Adèle Clémence Porchez, Musidora began her career in the arts at an early age, writing her first novel at the age of fifteen and acting on the stage with the likes of Colette, one of her lifelong friends. During the very early years of French cinema Musidora began a professional collaboration with the highly successful French film director Louis Feuillade. She made her film debut in Les miseres de l'aiguille, directed by Raphael Clamour, in January 1914. The film show the problems of the urban women in the French working-class, and presents a new representation of the female even by the working-class movement in the early 20th century in France.

Beginning in 1915, Musidora began appearing in the successful Feuillade-directed serial Les Vampires as Irma Vep (an anagram of "vampire"), a cabaret singer, opposite Édouard Mathé as crusading journalist Philippe Guerande. Contrary to the title, Les Vampires was not actually about vampires, but about a criminal gang-run-secret society inspired by the exploits of the real-life Bonnot Gang. Vep, besides playing a leading role in the Vampires' crimes, also spends two episodes under the hypnotic control of Moreno, a rival criminal who makes her his lover and induces her to assassinate the Grand Vampire.

The series was an immediate success with French cinema-goers and ran in 10 installments until 1916. After the Les Vampires serial, Musidora starred as adventuress, Diana Monti (aka governess "Marie Verdier") in Judex, another popular Feuillade serial filmed in 1916 but delayed for release until 1917. Though not intended to be avant-garde, Les Vampires and Judex were lauded by Louis Aragon and Andre Breton in the 1920s for the films' elements of surprise, fantasy/science fiction, unexpected juxtapositions and visual non sequiturs. Filmmakers Fritz Lang, Luis Buñuel, Georges Franju, Alain Resnais, and Olivier Assayas have cited Les Vampires and Judex as influencing them in their desires to become directors.

Musidora married Dr. Clément Marot on 20 April 1927. The union lasted 15 years and produced one child, Clément Marot Jr. (1928–2010). The couple divorced in 1944.

After her career as an actress faded, she focused on writing and producing. Her last film was an homage to her mentor Feuillade titled La Magique Image in 1950, which she both directed and starred in. Late in her life she would occasionally work in the ticket booth of the Cinémathèque Française—few patrons realized that the older woman in the foyer might be starring in the film they were watching.

Musidora died in Paris, France in 1957 and was buried in the Cimetière de Bois-le-Roi.