|Birth Day:||December 5, 1946|
|Birth Place:||Barcelona, Spain|
|Height:||in centimeters - N/A|
|Weight:||in kg - N/A|
With the net worth of $250 Million, José Carreras is the # 1732 richest person on earth all the time follow our database.
Carreras was born in Sants, a working-class district in Barcelona. He was the youngest of Antònia Coll i Saigi and Josep Carreras i Soler's three children. In 1951, his family emigrated to Argentina in search of a better life. However, this move abroad proved unsuccessful, and within a year; they had returned to Sants where Carreras was to spend the rest of his childhood and teenage years.
At just eight years old, he also gave his first public performance, singing "La donna è mobile," accompanied by Magda Prunera on the piano, on Spanish National Radio. A recording of this still exists and can be heard on the video biography, José Carreras – A Life Story. On 3 January 1958, at the age of eleven, he made his debut in Barcelona's great opera house, the Gran Teatre del Liceu, singing the boy soprano role of Trujamán in Manuel de Falla's El retablo de Maese Pedro. A few months later, he sang for the last time as a boy soprano at the Liceu in the second act of La Bohème.
Juan Ruax encouraged Carreras to audition for what was to become his first tenor role at the Liceu, Flavio in Norma, which opened on 8 January 1970. Although only a minor role, the few phrases he sang caught the attention of the production's leading lady, the eminent soprano and fellow Catalan, Montserrat Caballé. She asked him to sing Gennaro with her in Donizetti's Lucrezia Borgia, which opened on 19 December 1970. It was his first principal adult role, and the one which he considers to be his true debut as a tenor. In 1971, he made his international debut in a concert performance of Maria Stuarda in London's Royal Festival Hall, again with Caballé singing the title role. Caballé was instrumental in promoting and encouraging his career for many years, appearing in over fifteen different operas with him, while her brother and manager, Carlos Caballé, was also Carreras's manager until the mid-1990s.
During the 1970s Carreras's career progressed rapidly. In late-1971, he won first prize in Parma's prestigious Voci Verdiane competition which led to his Italian debut as Rodolfo in La bohème at the Teatro Regio di Parma on 12 January 1972. Later that year he made his American debut as Pinkerton in Madama Butterfly with the New York City Opera. Other major house debuts followed – the San Francisco Opera in 1973, as Rodolfo; the Philadelphia Lyric Opera Company in 1973, as Alfredo in La traviata; the Vienna Staatsoper in 1974, as the Duke of Mantua in Rigoletto; London's Royal Opera House in 1974, as Alfredo; the New York Metropolitan Opera in 1974, as Cavaradossi in Tosca; and La Scala, Milan in 1975, as Riccardo in Un ballo in maschera. By the age of 28, he had already sung the tenor lead in 24 different operas in both Europe and North America, and had an exclusive recording contract with Philips, which resulted in valuable recordings of several less often performed Verdi operas, notably Il Corsaro, I due Foscari, La battaglia di Legnano, Un giorno di regno and Stiffelio.
Carreras's leading ladies during the 1970s and 1980s included some of the most famous sopranos and mezzo-sopranos of the day: Montserrat Caballé, Birgit Nilsson, Viorica Cortez, Renata Scotto, Ileana Cotrubaş, Sylvia Sass, Teresa Stratas, Dame Kiri Te Kanawa, Frederica von Stade, Agnes Baltsa, Teresa Berganza, and Katia Ricciarelli. His artistic partnership with Ricciarelli began when they both sang in the 1972 La bohème at Parma and lasted for thirteen years, both in the recording studio and on stage. They later made a studio recording of La bohème for Philips Classics and can be heard together on over 12 other commercial recordings of both operas and recitals, predominantly on the Philips and Deutsche Grammophon labels.
Of the many conductors he worked with during this period, the one with whom Carreras had the closest artistic relationship and who had the most profound influence on his career was Herbert von Karajan. He first sang under Karajan in the Verdi Requiem at Salzburg on 10 April 1976, with their final collaboration in a 1986 production of Carmen, again at Salzburg. With Karajan's encouragement, he increasingly moved towards singing heavier lirico-spinto roles, including Aida, Don Carlos, and Carmen, which some critics have said were too heavy for his natural voice and may have shortened his vocal prime. (See the section on Carreras's voice.)
In its prime, Carreras's voice was considered one of the most beautiful tenor voices of the day. The Spanish critic, Fernando Fraga has described it as a lyric tenor with the generosity of a spinto, having "a noble timbre, richly coloured and sumptuously resonant". This is particularly true of the middle range of his voice. Fraga also noted, as has Carreras himself, that even in his youth the high notes of the tenor range were always somewhat problematic for him, and became more so as his career progressed. Like his idol, Giuseppe di Stefano, Carreras was also known for the beauty and expressiveness of his phrasing and for his passionate delivery. These qualities are perhaps best exemplified in his 1976 recording of Tosca with Montserrat Caballé in the title role and conducted by Sir Colin Davis.
The 1980s saw Carreras occasionally moving outside the strictly operatic repertoire, at least in the recording studio, with recitals of songs from zarzuela, musicals and operettas. He also made full-length recordings of two musicals – West Side Story (1985) and South Pacific (1986) – both with Kiri Te Kanawa as his co-star. The recording of West Side Story was unusual in two respects: Carreras was chosen and conducted by Leonard Bernstein. Bernstein was conducting for the first time nearly 30 years after he composed the music, and a full-length documentary was made about the recording sessions. His 1987 Philips recording of the Argentine folk mass, Misa Criolla, conducted by its composer, Ariel Ramírez, brought the work to a worldwide audience. Although many of Carreras's stage performances are available on video, he also ventured into film. In 1986, he portrayed the 19th century Spanish tenor Julián Gayarre in Romanza Final (The Final Romance) and in 1987, he started working on a film version of La bohème directed by Luigi Comencini.
It was during the filming of La bohème in Paris that he was found to be suffering from acute lymphoblastic leukemia and given a 1 in 10 chance of survival. However, he recovered from the disease after undergoing a gruelling treatment involving chemotherapy, radiation therapy and an autologous bone marrow transplant at the Fred Hutchinson Cancer Research Center in Seattle. Following his recovery, he gradually returned to both the operatic and the concert stage, embarking on a tour of come-back recitals in 1988 and 1989 and singing with Montserrat Caballé in Medea (Mérida, Spain 1989) and in the world premiere of Balada's Cristóbal Colón (Barcelona, 1989)
Following his own recovery from leukaemia, Carreras sought both to repay the debt he owed to medical science and to improve the lives and care of other leukaemia sufferers. On 14 July 1988, he established the Fundació Internacional Josep Carreras per a la Lluita contra la Leucèmia (known in English as the José Carreras International Leukaemia Foundation) in Barcelona. The foundation, which publishes a tri-monthly magazine on its activities, Amigos de la Fundación, concentrates its efforts in four main areas:
In 1990 the first Three Tenors concert took place in the Baths of Caracalla in Rome on the eve of the 1990 FIFA World Cup finals. It was originally conceived to raise money for Carreras's leukemia foundation and as a way for his colleagues, Plácido Domingo and Luciano Pavarotti, to welcome their "little brother" back to the world of opera. However, it and the subsequent Three Tenors concerts brought Carreras a fame that went far beyond the opera house. It is estimated that over a billion people around the world watched the television broadcast of the 1994 Three Tenors concert in Los Angeles. By 1999, the CD from the first Three Tenors concert in Rome had sold an estimated 13 million copies, making it the best-selling classical recording of all time. Carreras is the center of a subplot in the 1996 episode "The Doll" in the Seinfeld television series, in which he is never referred to by name but instead as "the other guy" in the Three Tenors; he is erroneously referred to as being Italian (perhaps intentionally). The early 1990s also saw Carreras serving as the Musical Director for the opening and closing ceremonies of 1992 Barcelona Olympic Games, and performing in a worldwide concert tour in tribute to his first singing hero, Mario Lanza.
The 1990s continued to see Carreras performing on the operatic stage in Carmen and Fedora and making role debuts in Samson et Dalila (Peralada, 1990), Verdi's Stiffelio (London, 1993), and Wolf-Ferrari's Sly (Zurich, 1998). However, his opera performances became less frequent as he increasingly devoted himself to concerts and recitals. His final operatic performances at the Gran Teatre del Liceu, the opera house where his career began, were in Samson et Dalila (March 2001). He reprised the title role in Sly in Tokyo in 2002 and in 2004 performed at the Vienna State Opera in fully staged versions of the final act of Carmen and Act 3 of Sly. In April 2014, Carreras returned to the opera stage after a ten-year absence singing the title role of Christian Kolonovits's opera, El Juez (The Judge) in its premiere at the Arriaga Theatre in Bilbao. He reprised the role in August 2014 at the Festival Erl in Austria and in January 2015 at the Mariinsky Theatre in St. Petersburg.
By the 2000s Carreras's recording and live concert repertoire had moved largely to art song, Neapolitan songs, the light classical genre, and 'easy-listening'. He has also increasingly performed and recorded with artists from outside the classical music world, such as Diana Ross, Edyta Górniak, Lluis Llach, Peter Maffay, Udo Jürgens, Klaus Meine, Charles Aznavour, Kim Styles, Sarah Brightman, Vicky Leandros, Jackie Evancho, Sissel Kyrkjebø, Debbie Harry, Majida El Roumi, and Giorgia Fumanti. Beginning in 2002, Carreras scaled back his live performances to recitals and orchestral concerts.
On 23 February 2004, the Austrian Post Office issued a 1€ stamp to commemorate the 30th anniversary of his debut at the Vienna Staatsoper.
In an interview published in The Times on 8 May 2009, Carreras announced that he would no longer perform principal opera roles but was still open to recitals.
Honorary Medal of the city of Leipzig on the occasion of his Leukemia Fundraiser for 2009 on 17 December 2009; awarded by the Mayor of Leipzig (unanimous decision of the town council of Leipzig).
In 2009, he received the Brit Award for Outstanding Contribution to Music.
Currently, José Carreras is 75 years, 10 months and 1 days old. José Carreras will celebrate 76th birthday on a Monday 5th of December 2022. Below we countdown to José Carreras upcoming birthday.
Per molts anys, Josep!! Happy Birthday to Josep Carreras on his 67th anniversary!!
Era il 5 dicembre del 1946 quando al quartiere barcellonese di Sants è nato un figlio speciale, un vero prodigio che si sarebbe distinto ...