|Birth Day:||January 21, 1955|
|Birth Place:||York, United States|
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With the net worth of $200 Million, Jeff Koons is the # 1852 richest person on earth all the time follow our database.
He was educated at the School of the Art Institute of Chicago, where he met the famed Ed Paschke, and the Maryland Institute College of Art. He worked as a Wall Street broker before pursuing a full-time career as an artist.
A Koons sculpture of a ballerina looks like a copy of the piece Ballerina Lenochka created by the Ukrainian artist Oksana Zhnykrup in 1974.
After college, Koons moved to New York in 1977 and worked at the membership desk of the Museum of Modern Art while establishing himself as an artist. During this time, he dyed his hair red and would often cultivate a pencil mustache, after Salvador Dalí. In 1980, he got licensed to sell mutual funds and stocks and began working as a Wall Street commodities broker at First Investors Corporation. After a summer with his parents in Sarasota, Florida (Koons took on a brief job there as a political canvasser), he returned to New York and found a new career as a commodities broker, first at Clayton Brokerage Company and then at Smith Barney. He did this job when he encountered the problem of financing his first series, but also in order to be independent from the art market: "I could make exactly what art I wanted to make. And I would always know that I didn't need the art market."
Between 1977 and 1979 Koons produced four separate artworks, which he later referred to as Early Works. Starting from 1978 he worked on his Inflatables series, consisting of inflatable flowers and a rabbit of various heights and colours, positioned along with mirrors.
Since 1979 Koons has produced work within series. His early work was in the form of conceptual sculpture, an example of which is The Pre-New, a series of domestic objects attached to light fixtures, resulting in strange new configurations. Another example is The New, a series of vacuum-cleaners, often selected for brand names that appealed to the artist like the iconic Hoover, which he had mounted in illuminated Perspex boxes. Koons first exhibited these pieces in the window of the New Museum in New York in 1980. He chose a limited combination of vacuum cleaners and arranged them in cabinets accordingly, juxtaposing the verticality of the upright cleaners with the squat cylinders of the "Shelton Wet/Dry drum" cleaners. At the museum, the machines were displayed as if in a showroom, and oriented around a central red fluorescent lightbox with just the words "The New" written on it as if it were announcing some new concept or marketing brand.
Since a 1980 window installation at the New Museum of Contemporary Art in New York, Koons' work has been widely exhibited internationally in solo and group exhibitions. In 1986, he appeared in a group show with Peter Halley, Ashley Bickerton, Ross Minoru Laing and Meyer Vaisman at Sonnabend Gallery in New York. In 1997, the parisian Galerie Jerome de Noirmont organized his first solo show in Europe. His Made in Heaven series was first shown at the Venice Biennale in 1990.
As a young artist, Koons was included in many exhibitions curated by Richard Milazzo including The New Capital at White Columns in 1984, Paravision at Postmasters Gallery in 1985, Cult and Decorum at Tibor De Nagy Gallery in 1986, Time After Time at Diane Brown Gallery in 1986, Spiritual America at CEPA in 1986, and Art at the End of the Social at The Rooseum, Malmö, Sweden in 1988. These exhibitions would be alongside other notable artists such as Ross Bleckner, Joel Otterson, and Kevin Larmon.
First shown in Koons' eponymous exhibitions at the short-lived International With Monument Gallery, New York, and at Daniel Weinberg Gallery, Los Angeles, in 1986, the Luxury and Degradation series is a group of works thematically centered on alcohol. This group included a stainless steel travel cocktail cabinet, a Baccarat crystal decanter and other hand-made renderings of alcohol-related paraphernalia, as well as reprinted and framed ads for drinks such as Gordon's Gin ("I Could Go for Something Gordon's"), Hennessy ("Hennessy, The Civilized Way to Lay Down the Law"), Bacardi ("Aquí... el gran sabor del ron Bacardi"), Dewars ("The Empire State of Scotch"), Martell ("I Assume You Drink Martell") and Frangelico ("Stay in Tonight" and "Find a Quiet Table") in seductively intensified colors on canvas Koons appropriated these advertisements and revalued them by recontextualizing them into artworks. They "deliver a critique of traditional advertising that supports Baudrillard's censorious view of the obscene promiscuity of consumer signs". Another work, Jim Beam - J.B. Turner Engine (1986) is based on a commemorative, collectible in bottle in the form of a locomotive that was created by Jim Beam; however, Koons appropriated this model and had it cast in gleaming stainless-steel. The train model cast in steel titled Jim Beam - Baggage Car (1986) even contains Jim Beam bourbon. With the Luxury and Degradation series Koons interfered into the realms of the social. He created an artificial and gleaming surface which represented a proletarian luxury. It was interpreted as seduction by simulation because it was faked luxury. Being the producer of this deception brought him to a kind of leadership, as he commented himself.
The same material of stainless steel was used for the statue of Kiepenkerl. After being rebuilt in the 1950s, the figure of the itinerant trader was replaced by Jeff Koons in 1987 for the decennial Skulptur Projekte exhibition. Standing on a central square in Münster, the statue retained a certain cultural power as a nostalgic symbol of the past. During the production process, the foundry where the piece was being made wanted to knock the ceramic shell off too soon, which resulted in the piece being bent and deformed. Koons decided to bring in a specialist and give the piece "radical plastic surgery." After this experience he felt liberated: "I was now free to work with objects that did not necessarily pre-exist. I could create models."
Koons then moved on to the Banality series. For this project he engaged workshops in Germany and Italy that had a long tradition of working in ceramic, porcelain, and wood. The series culminated in 1988 with Michael Jackson and Bubbles, a series of three life-size gold-leaf plated porcelain statues of the sitting singer cuddling Bubbles, his pet chimpanzee. Three years later, one of these sold at Sotheby's New York for US$5.6 million. Two of these sculptures are now at the San Francisco Museum of Modern Art and the Broad Contemporary Art Museum (BCAM) in downtown Los Angeles. The statue was included in a 2004 retrospective at the Astrup Fearnley Museum of Modern Art in Oslo which traveled a year later to the Helsinki City Art Museum. It also featured in his second retrospective at the Museum of Contemporary Art, Chicago, in 2008. The statue is currently back at the newly opened Astrup Fearnley Museum of Modern Art at Tjuvholmen in Oslo. Recently, his work Christ and the Lamb (1988) has been analyzed as an acknowledgment and critique of the spiritual and meditative power of the Rococo.
The May 31 – September 21, 2008 Koons retrospective at the Museum of Contemporary Art, Chicago, which was widely publicized in the press, broke the museum's attendance record with 86,584 visitors. The exhibition included numerous works from the MCA collection, along with recent paintings and sculptures by the artist. The retrospective exhibition reflects the MCA's commitment to Koons' work as it presented the artist's first American survey in 1988. For the final exhibition in its Marcel Breuer building, the Whitney Museum is planning to present a Koons retrospective in collaboration with the Museum of Contemporary Art, Los Angeles and the Centre Pompidou, Paris.
In 1989 the Whitney Museum and its guest curator Marvin Heiferman asked Koons to make an artwork about the media on a billboard for the show "Image World: Art and Media Culture". The billboard was meant as an advertisement for an unmade movie, entitled Made in Heaven. Koons employed his then-wife Ilona Staller ("Cicciolina") as a model in the shoot that formed the basis of the resulting work for the Whitney, Made in Heaven (1990–91). Including works with such titles as Dirty Ejaculation and Ilonaʼs Asshole, the series of enormous grainy photographs printed on canvas, glassworks, and sculptures portrayed Koons and Staller in highly explicit sexual positions and created considerable controversy. The paintings of the series reference art from the Baroque and Rococo periods—among others, Gian Lorenzo Bernini, Jean-Honoré Fragonard and François Boucher—and also draw upon the breakthroughs of early modern painters as Gustave Courbet and Édouard Manet.
In 1989, Koons and fellow artist Martin Kippenberger worked together on an issue of the art journal Parkett; the following year, Koons designed an exhibition poster for Kippenberger.
Around 1990, Koons lived in New York in a full-service hotel near Wall Street. During that time, he did not have a studio. In 1991, he married Hungarian-born naturalized-Italian pornography star Cicciolina (Ilona Staller) who for five years (1987–92) pursued an alternate career as a member of the Italian Parliament. After seeing her picture in two European magazines, he had flown to Rome, watched her perform, and gone backstage to suggest that they collaborate on what he then thought would be a movie. She agreed. A series of strenuous photographic sessions became the basis for the "Made in Heaven" paintings and sculptures, in various media. The movie never got made, but Koons and Staller fell in love. He courted her through an interpreter—she spoke very little English, and Koons, who spoke about four words of Italian, kept trying to communicate directly by speaking English with an Italian accent. The interpreter had to be let go, because she fell in love with Koons. He proposed to Staller in Venice that spring, and they were married a year later. While maintaining a home in Manhattan, Koons and Staller lived in Munich. In 1992, they had a son, Ludwig. The marriage ended soon afterward amid allegations that Koons had subjected Staller to physical and emotional abuse. Jeffrey Deitch, a close friend who became Koons' dealer after Sonnabend, couldn't understand the marriage to Staller. Koons himself says that Ileana Sonnabend and his father had warned him against it, fearing the worst. "Jeff had confused fantasy with reality", Deitch said. "It was as though he felt the 'Made in Heaven' work wouldn't be authentic unless they were married. It was a moral issue for him." The marriage began to fall apart even before their child, Ludwig, was born. Staller wanted to keep on performing. (She also offered, publicly, to have sex with Saddam Hussein in exchange for his releasing foreigners held in Iraq.) And then, after divorce proceedings had begun in New York, Staller spirited baby Ludwig out of the New York town house that Koons had rented for them and took him to Rome. Koons spent more than a decade and millions of dollars in legal battles over custody. The battle ensued with the award of sole custody to Koons by the U.S. court in 1998, which had also dissolved the marriage. However, he lost custody when the case went to Italy's Supreme Court. In 2008, Staller filed suit against Koons for failure to pay child support.
Koons was not among the 44 American artists selected to exhibit his work in Documenta 9 in 1992, but was commissioned by three art dealers to create a piece for nearby Arolsen Castle in Bad Arolsen, Germany. The result was Puppy, a 43 ft (13 m) tall topiary sculpture of a West Highland White Terrier puppy, executed in a variety of flowers (including Marigolds, Begonias, Impatiens, Petunias, and Lobelias) on a transparent color-coated chrome stainless steel substructure. The self-cleaning flowers would grow for the specific length of time that the piece was exhibited. The size and location of Puppy -the courtyard of a baroque palace- acknowledged the mass audience. After the outbreak that followed his Made in Heaven series, Koons decided to make "an image that communicated warmth and love to people." In 1995, in a co-venture between Museum of Contemporary Art, Kaldor Public Art Projects and Sydney Festival, the sculpture was dismantled and re-erected at the Museum of Contemporary Art on Sydney Harbour on a new, more permanent, stainless steel armature with an internal irrigation system. While the Arolsen Puppy had 20,000 plants, the Sydney version held around 60,000.
Koons' Celebration was to honor the ardently hoped-for return of Ludwig from Rome. Consisting of a series of large-scale sculptures and paintings of balloon dogs, Valentine hearts, diamonds, and Easter eggs, was conceived in 1994. Some of the pieces are still being fabricated. Each of the 20 different sculptures in the series comes in five differently colored "unique versions", including the artist's cracked Egg (Blue) won the 2008 Charles Wollaston Award for the most distinguished work in the Royal Academy's Summer Exhibition. The Diamond pieces were created between 1994 and 2005, made of shiny stainless steel seven-feet wide. Created in an edition of five versions, his later work Tulips (1995–2004) consists of a bouquet of multicolor balloon flowers blown up to gargantuan proportions (more than 2 m (6.6 ft) tall and 5 m (16 ft) across). Koons finally started to work on Balloon Flower in 1995.
As highlighted by articles over the years, including a Wall Street Journal article entitled "Pooling Resources to Fight Child Abuse and Abduction", the issue of child abduction is personal to Koons. Following the end of his marriage to Hungarian-born Italian porn actress Staller in 1994, as she wanted to continue to perform as a porn actress and Koons wanted them to be monogamous, Staller, in violation of a US court order, left with their then-two-year-old son, Ludwig and took the child to Italy. After Koons spent millions of dollars in legal fees over a five-year period pursuing parental rights to his young son, the Italian Supreme Court failed to recognize the couples' US-based joint custody agreement and instead sided with Staller.
Koons was pushing to finish the series in time for a 1996 exhibition at the Solomon R. Guggenheim Museum in New York, but the show was ultimately canceled because of production delays and cost overruns. When "Celebration" funding ran out, the staff was laid off, leaving a skeleton crew of two: Gary McCraw, Koons' studio manager, who had been with him since 1990, and Justine Wheeler, an artist from South Africa, who had arrived in 1995 and eventually took charge of the sculpture operation. The artist convinced his primary collectors Dakis Joannou, Peter Brant, and Eli Broad, along with dealers Jeffrey Deitch, Anthony d'Offay, and Max Hetzler, to invest heavily in the costly fabrication of the Celebration series at Southern California-based Carlson & Company (including his Balloon Dog and Moon series), and later, at Arnold, a Frankfurt-based company. The dealers funded the project in part by selling works to collectors before they were fabricated. In 1999, his 1988 "Pink Panther" sculpture sold at auction for US$1.8 million, and he returned to the Sonnabend gallery. Well aware of Koons' bottomless needs and demands, Ileana Sonnabend and Antonio Homem, her gallery director and adopted son, nevertheless welcomed him back; in all likelihood they sensed (correctly, it turned out) that he was poised for a glorious second act—something that only he, among his generation of overpublicized artists, has so far managed to pull off. Koons, however, no longer confines himself to a single gallery. Larry Gagosian, the colossus of New York dealers, agreed to finance the completion of all the unfinished "Celebration" work, in exchange for exclusive rights to sell it.
While a student at the Maryland Institute College of Art, Koons fathered a daughter, Shannon Rodgers. Though he offered to marry the girl's mother, she felt that they were too young for the commitment, and the couple reluctantly put the child up for adoption. Shannon Rodgers reconnected with Koons in 1995.
Koons is now married to Justine Wheeler, an artist and former employee who began working for Koons' studio in 1995. The couple have six children. The family currently lives on several floors of an Upper East Side townhouse. In 2009, Koons purchased 11 East 67th Street for US$12 million. In 2010, he bought the neighbouring 10,000-square-foot mansion at 13 East 67th Street, the longtime home of Barbara Sears Rockefeller, for US$20 million. In 2014, he got approval to merge the two buildings into one mega-mansion, with a reported renovation cost estimated at US$4.85 million.
The piece was purchased in 1997 by the Solomon R. Guggenheim Foundation and installed on the terrace outside the Guggenheim Museum Bilbao. Before the dedication at the museum, an Euskadi Ta Askatasuna (ETA) trio disguised as gardeners attempted to plant explosive-filled flowerpots near the sculpture, but was foiled by Basque police officer Jose María Aguirre, who then was shot dead by ETA members. Currently the square in which the statue is placed bears the name of Aguirre. In the summer of 2000, the statue traveled to New York City for a temporary exhibition at Rockefeller Center.
Media mogul Peter Brant and his wife, model Stephanie Seymour, commissioned Koons to create a duplicate of the Bilbao statue Puppy (1993) for their Connecticut estate, the Brant Foundation Art Study Center. In 1998, a miniature version of Puppy was released as a white glazed porcelain vase, in an edition of 3000.
Commissioned by the Deutsche Guggenheim in 1999, Koons created the first seven paintings of the new series, Easyfun, comprising paintings and wall-mounted sculptures. In 2001, Koons undertook a series of paintings, Easyfun-Ethereal, using a collage approach that combined bikinis, food, and landscapes painted under his supervision by assistants. The series eventually expanded to twenty-four paintings.
In 1999 Koons commissioned a song about himself on Momus' album Stars Forever.
In 2000, Koons designed Split-Rocker, his second floral sculpture made of stainless steel, soil, geotextile fabric, and an internal irrigation system, which was first shown at the Palais des Papes in Avignon, France. Like Puppy, it is covered with around 27,000 live flowers, including petunias, begonias, impatiens, geraniums and marigolds. Weighing 150 tons and soaring over 37 feet high, Split-Rocker is composed of two halves: one based on a toy pony of one of Koons' sons, the other based on a toy dinosaur. Together, they form the head of a giant child's rocker. Koons produced just two editions of the sculpture. As of 2014, he owns one of them; the other is displayed at Glenstone in Maryland. In summer 2014 Split-Rocker was installed at Rockefeller Plaza in New York City for several months in coincidence with the opening of Koons' retrospective at the Whitney Museum of American Art.
Koons received the BZ Cultural Award from the City of Berlin in 2000 and the Skowhegan Medal for Sculpture in 2001. He was named a Chevalier of the French Legion of Honor in 2002 and then promoted to Officier in 2007. He received an honoroary doctorate from the School of the Art Institute of Chicago in 2008. He was given the 2008 Wollaston Award from the Royal Academy of Arts in London. In 2013 he received the U.S. State Department's Medal of Arts. In 2014, Koons received the Golden Plate Award of the American Academy of Achievement presented by Awards Council member Wayne Thiebaud during the International Achievement Summit in San Francisco. In 2017 he accepted the annual Honorary Membership Award for Outstanding Contribution to Visual Culture from the Edgar Wind Society, University of Oxford.
Many of Koons' works have been sold privately at auctions. His auction records have primarily been achieved from his sculptures (especially those from his Celebration series), whereas his paintings are less popular. In 2001, one of his three Michael Jackson and Bubbles porcelain sculptures sold for US$5.6 million. On November 14, 2007, Hanging Heart (Magenta/Gold) from the collection of Adam Lindemann, one of five in different colors, sold at Sotheby's New York for US$23.6 million becoming, at the time, the most expensive piece by a living artist ever auctioned. It was bought by the Gagosian Gallery in New York, which the previous day had purchased another Koons sculpture, Diamond (Blue), for US$11.8 million from Christie's London. Gagosian appears to have bought both Celebration series works on behalf of Ukrainian steel oligarch Victor Pinchuk. In July 2008, his 11-foot (3.3 meter) Balloon Flower (Magenta) (1995–2000) from the collection of Howard and Cindy Rachofsky also sold at Christie's London for an auction record of US$25.7 million. In total, Koons was the top-selling artist at auction with €81.3 million of sales in the year to June 2008.
Paintings and sculptures from the Popeye series, which Koons began in 2002, feature the cartoon figures of Popeye and Olive Oyl. One such item is a stainless steel reproduction of a mass-market PVC Popeye figurine. The artist will also make use of inflatable animals again, this time in combination with ladders, trashcans and fences. To create these sculptures, the toys get a layer of coating after finding the right shape. Then a hard copy is made and sent to the foundry to be cast in aluminium. Back in the studio the sculptures are painted in order to achieve the shiny look of the original inflatables. For these surrealist installations, Acrobat in particular, Koons got inspiration from the Chicago Imagist H.C. Westermann.
In 2005, he was elected as a Fellow to the American Academy of Arts and Sciences.
In 2006, Koons presented Hanging Heart, a 9-foot-tall highly polished, steel heart, one of a series of five differently colored examples, part of his Celebration series. Large sculptures from that series were exhibited at the Metropolitan Museum of Art in New York in 2008. Later additions to the series include Balloon Swan (2004–2011), an 11.5-foot (3.5-meter), stainless-steel bird, Balloon Rabbit (2005–2010), and Balloon Monkey, all for which children's party favors are reconceived as mesmerizing monumental forms.
In 2006 Koons appeared on Artstar, an unscripted television series set in the New York art world. He had a minor role in the 2008 film Milk playing state assemblyman Art Agnos.
He won one lawsuit, Blanch v. Koons, No. 03 Civ. 8026 (LLS), S.D.N.Y., Nov. 1 2005 (slip op.), affirmed by the Second Circuit in October 2006, brought over his use of a photographic advertisement as source material for legs and feet in a painting, Niagara (2000). The court ruled that Koons had sufficiently transformed the original advertisement so as to qualify as a fair use of the original image.
Koons is a member of the Board of Directors of the International Centre for Missing & Exploited Children (ICMEC), a global nonprofit organization that combats child sexual exploitation, child pornography, and child abduction. In 2007, Koons, along with his wife Justine, founded the ICMEC Koons Family Institute on International Law and Policy. It is the International Centre's research arm.
A drawing similar to his Tulip Balloons was placed on the front page of the Internet search engine Google. The drawing greeted all who visited Google's main page on April 30, 2008, and May 1, 2008.
His museum solo shows include the Museum of Contemporary Art in Chicago (1988), Walker Art Center in Minneapolis (1993), Deutsche Guggenheim in Berlin (2000), Kunsthaus Bregenz (2001), the Museo archeologico nazionale di Napoli (2003), and a retrospective survey at the Astrup Fearnley Museum of Modern Art, Oslo (2004), which traveled to the Helsinki City Art Museum (2005). In 2008, the Celebration series was shown at the Neue Nationalgalerie, Berlin, and on the roof of the Metropolitan Museum of Art.
The Rabbit has since returned to its original soft form, and, many times larger at more than 50 feet high, taken to the air. On October 13, 2009, the giant metallic monochrome color rabbit used during the 2007 Macy's Thanksgiving day parade was put on display for Nuit Blanche in the Eaton Centre in Toronto.
Koons acted as curator of an Ed Paschke exhibition at Gagosian Gallery, New York, in 2009. He also curated an exhibition in 2010 of works from the private collection of Greek billionaire Dakis Joannou at the New Museum in New York City. The exhibition, Skin Fruit: Selections from the Dakis Joannou Collection, generated debate concerning cronyism within the art world as Koons is heavily collected by Joannou and had previously designed the exterior of Joannou's yacht Guilty.
In July 2009, Koons had his first major solo show in London, at the Serpentine Gallery. Entitled Jeff Koons: Popeye Series, the exhibit included cast aluminum models of children's pool toys and "dense, realist paintings of Popeye holding his can of spinach or smoking his pipe, a red lobster looming over his head".
During the late 2000s recession, however, art prices plummeted and auction sales of high-value works by Koons dropped 50 percent in 2009. A violet Hanging Heart sold for US$11 million in a private sale. However prices for the artist's earlier Luxury and Degradation series appear to be holding up. The Economist reported that Thomas H. Lee, a private-equity investor, sold Jim Beam J.B. Turner Train (1986) in a package deal brokered by Giraud Pissarro Segalot for more than US$15 million. In 2012, Tulips (1995-2004) brought a record auction price for Koons at Christie's, selling to a telephone bidder for US$33.6 million, well above its high US$25 million estimate. At Christie's in 2015, the oil on canvas Triple Elvis (2009) set a world auction record for a painting by the artist, realizing $8,565,000, over $5 million more than the previous high.
Koons was the artist named to design the seventeenth in the series of BMW "Art Cars". His artwork was applied to a race-spec E92 BMW M3, and revealed to the public at The Pompidou Centre in Paris on 2 June 2010. Backed by BMW Motorsport, the car then competed at the 2010 24 Hours of Le Mans in France.
In 2012, Koons bought Advanced Stone Technologies, an offshoot of the non-profit Johnson Atelier Technical Institute of Sculpture's stone division. He moved the high-tech stone workshop from New Jersey to a larger, 60,000 sq ft (5,600 m) space in Morrisville, Bucks County, Pennsylvania. The facility exists solely to fabricate Koons' works made of stone.
In September 2012 New York Governor Andrew Cuomo gave Koons the task of helping to review the designs for a new Tappan Zee Bridge.
Koons has also produced some fine wine-related commissions. In December 2012, Chateau Mouton Rothschild announced that Koons was the artist for their 2010 vintage label - a tradition that was started in 1946. Other artists to design labels include Pablo Picasso, Francis Bacon, Salvador Dalí and Joan Miró, amongst others. In August 2013, Dom Pérignon released their 2004 vintage, with a special edition done by Koons, as well as a made-to-order case called the 'Balloon Venus'. This has a recommended retail price of €15,000.
In May 2012, Koons had his first major solo show in Switzerland, at the Beyeler Museum in Basel, entitled Jeff Koons. Shown are works from three series: The New,Banality and Celebration as well as the flowered sculpture Split-Rocker.
Also in 2012, Jeff Koons. The Painter at Schirn Kunsthalle Frankfurt focussed primarily on the artist's development as a painter, while in the show Jeff Koons. The Sculptor at the Liebieghaus in Frankfurt, the sculptures by Jeff Koons entered enter into dialogues with the historical building and a sculpture collection spanning five millennia. Together, both shows form the largest showing of Koons' work to date.
For the season 2007/2008 in the Vienna State Opera Jeff Koons designed the large-scale picture (176 sqm) Geisha as part of the exhibition series "Safety Curtain", conceived by museum in progress. Koons worked with American pop performer Lady Gaga on her 2013 studio album Artpop, including the creation of its cover artwork featuring a sculpture he made of Lady Gaga. In September 2014 the bi-annual arts and culture publication GARAGE Magazine published Jeff Koons' first ever digital artwork for the front of its print edition. The piece, titled Lady Bug, is an augmented reality sculpture that can only be viewed on mobile devices through a GARAGE Magazine app, which allows viewers to explore the piece from a variety of angles as if standing on top of it.
In 2013 Koons created the sculpture Gazing Ball (Farnese Hercules), which was inspired by the Farnese Hercules. The sculpture is made from white plaster and can be interpreted as perpetuating colourism in how we view the ancient world.
In 2013, Koons collaborated with American singer-songwriter and performance artist Lady Gaga for her third studio album, ARTPOP. The album cover depicts a nude sculpture of Gaga made by Koons behind a blue ball sculpture, and pieces of other art works in the background such as Birth of Venus painted by Sandro Botticelli, which inspired Gaga's image through the new era, including in her music video for "Applause" and the performance of the song at the 2013 MTV Video Music Awards. The image of the cover was revealed piece-by-piece in a social marketing campaign where her fans had to tweet the Twitter hashtag "#iHeartARTPOP" to unlock it. The song "Applause" itself includes the lyrics "One second I'm a Koons, then suddenly the Koons is me."
The series was first shown at the 1990 Venice Biennale. Koons reportedly destroyed much of the work when Staller took their son Ludwig with her to Italy. In celebration of Made in Heaven's 20th anniversary, Luxembourg & Dayan chose to present a redux edition of the series. The Whitney Museum also exhibited several of the photographs on canvas in their 2014 retrospective.
In late 2016 Koons unveiled plans for Bouquet of Tulips, an 11-meter high commemorative sculpture in Paris modelled on the Statue of Liberty, honoring the victims of the November 2015 attacks.
Koons donated $50,000 to Correct the Record, a Super PAC which supported Hillary Clinton's 2016 presidential campaign in June 2016.
In April 2017, Jeff Koons collaborated with the French luxury fashion house Louis Vuitton for the 'Masters Collection' and designed a series of handbags and backpacks featuring the reproductions of his favorite masterpieces by the Old Masters, such as Leonardo Da Vinci, Titian, Vincent Van Gogh, Peter Paul Rubens and Jean-Honoré Fragonard. Later this year he presented another handful of bags and accessories featuring the reproductions of works by Claude Monet, J. M. W. Turner, Edouard Manet, Paul Gauguin and François Boucher. The prices range from $585 for a key chain to $4,000 for the large carryall.
In 2018, a French court ruled that his 1988 work Fait d'Hiver, which depicts a pig standing over a woman who is lying on her back, had copied an advertisement for a clothing chain.
On May 15, 2019 Koons set the record for most expensive piece sold by a living artist for the sale of "Rabbit". "Rabbit" was sold at Christie's Auction House for $80 million which—including auctioneer's fees—resulted in a final sale price of $91,075,000.
In 2019, a French court ruled that his work 1988 Naked, which depicts a little boy offering flowers to a little girl, both of whom are naked, had infringed on the copyright of a 1975 postcard photograph by French artist Jean-Francois Bauret.
Jeff's first wife was Hungarian-Italian adult film star Ilona Staller. Jeff had six children with his second wife, Justine Wheeler.
Currently, Jeff Koons is 68 years, 4 months and 12 days old. Jeff Koons will celebrate 69th birthday on a Sunday 21st of January 2024. Below we countdown to Jeff Koons upcoming birthday.
11 Jeff Koons Quotes for His 61st Birthday - artnet News
Jeff Koons has given a LOT of interviews over the years. In honor of his 61st birthday, artnet News picked out 11 of his choicest quotes for your enjoyment.