Anna Pavlova
Anna Pavlova

Celebrity Profile

Name: Anna Pavlova
Occupation: Dancer
Gender: Female
Birth Day: February 12, 1881
Death Date: Jan 23, 1931 (age 49)
Age: Aged 49
Birth Place: Saint Petersburg, Russia
Zodiac Sign: Aquarius

Social Accounts

Height: in centimeters - N/A
Weight: in kg - N/A
Eye Color: N/A
Hair Color: N/A
Blood Type N/A
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Anna Pavlova

Anna Pavlova was born on February 12, 1881 in Saint Petersburg, Russia (49 years old). Anna Pavlova is a Dancer, zodiac sign: Aquarius. Find out Anna Pavlovanet worth 2020, salary 2020 detail bellow.


She was the subject of the 1983 film Anna Pavlova which starred Galina Belyayeva. She was a lifelong lover of animals and had several cats, dogs, swans, and other pets. 

Does Anna Pavlova Dead or Alive?

As per our current Database, Anna Pavlova died on Jan 23, 1931 (age 49).

Net Worth

Net Worth 2020


Salary 2020

Not known

Before Fame

She first auditioned for the Imperial Ballet School at the age of nine but was turned down because the judging committee believed she was too young. She was accepted into the school a year later.

Biography Timeline


Pavlova was a premature child, regularly felt ill and was soon sent to the Ligovo village where her grandmother looked after her. Pavlova's passion for the art of ballet took off when her mother took her to a performance of Marius Petipa's original production of The Sleeping Beauty at the Imperial Maryinsky Theater. The lavish spectacle made an impression on Pavlova. When she was nine, her mother took her to audition for the renowned Imperial Ballet School. Because of her youth, and what was considered her "sickly" appearance, she was rejected, but, at age 10, in 1891, she was accepted. She appeared for the first time on stage in Marius Petipa's Un conte de fées (A Fairy Tale), which the ballet master staged for the students of the school.


Young Pavlova's years of training were difficult. Classical ballet did not come easily to her. Her severely arched feet, thin ankles, and long limbs clashed with the small, compact body favoured for the ballerina of the time. Her fellow students taunted her with such nicknames as The broom and La petite sauvage. Undeterred, Pavlova trained to improve her technique. She would practice and practice after learning a step. She said, "No one can arrive from being talented alone. God gives talent, work transforms talent into genius." She took extra lessons from the noted teachers of the day—Christian Johansson, Pavel Gerdt, Nikolai Legat—and from Enrico Cecchetti, considered the greatest ballet virtuoso of the time and founder of the Cecchetti method, a very influential ballet technique used to this day. In 1898, she entered the classe de perfection of Ekaterina Vazem, former Prima ballerina of the Saint Petersburg Imperial Theatres.


During her final year at the Imperial Ballet School, she performed many roles with the principal company. She graduated in 1899 at age 18, chosen to enter the Imperial Ballet a rank ahead of corps de ballet as a coryphée. She made her official début at the Mariinsky Theatre in Pavel Gerdt's Les Dryades prétendues (The False Dryads). Her performance drew praise from the critics, particularly the great critic and historian Nikolai Bezobrazov.


When the ballerina Mathilde Kschessinska was pregnant in 1901, she coached Pavlova in the role of Nikiya in La Bayadère. Kschessinska, not wanting to be upstaged, was certain Pavlova would fail in the role, as she was considered technically inferior because of her small ankles and lithe legs. Instead, audiences became enchanted with Pavlova and her frail, ethereal look, which fitted the role perfectly, particularly in the scene The Kingdom of the Shades.


Pavlova rose through the ranks quickly, becoming a favorite of the old maestro Petipa. It was from Petipa himself that Pavlova learned the title role in Paquita, Princess Aspicia in The Pharaoh's Daughter, Queen Nisia in Le Roi Candaule, and Giselle. She was named danseuse in 1902, première danseuse in 1905, and, finally, prima ballerina in 1906 after a resounding performance in Giselle. Petipa revised many grand pas for her, as well as many supplemental variations. She was much celebrated by the fanatical balletomanes of Tsarist Saint Petersburg, her legions of fans calling themselves the Pavlovatzi.


Pavlova is perhaps most renowned for creating the role of The Dying Swan, a solo choreographed for her by Michel Fokine. The ballet, created in 1905, is danced to Le cygne from The Carnival of the Animals by Camille Saint-Saëns. Pavlova also choreographed several solos herself, one of which is The Dragonfly, a short ballet set to music by Fritz Kreisler. While performing the role, Pavlova wore a gossamer gown with large dragonfly wings fixed to the back.


There are at least five memorials to Pavlova in London, England: a contemporary sculpture by Tom Merrifield of Pavlova as the Dragonfly in the grounds of Ivy House, a sculpture by Scot George Henry Paulin in the middle of the Ivy House pond, a blue plaque on the front of Ivy House, a statuette sitting with the urn that holds her ashes in Golders Green Crematorium, and the gilded statue atop the Victoria Palace Theatre. When the Victoria Palace Theatre in London, England, opened in 1911, a gilded statue of Pavlova had been installed above the cupola of the theatre. This was taken down for its safety during World War II and was lost. In 2006, a replica of the original statue was restored in its place.


After leaving Russia, Pavlova moved to London, England, settling, in 1912, at the Ivy House on North End Road, Golders Green, north of Hampstead Heath, where she lived for the rest of her life. The house had an ornamental lake where she fed her pet swans, and where now stands a statue of her by the Scots sculptor George Henry Paulin. The house was featured in the film Anna Pavlova. It is now the London Jewish Cultural Centre, but a blue plaque marks it as a site of significant historical interest being Pavlova's home. While in London, Pavlova was influential in the development of British ballet, most notably inspiring the career of Alicia Markova. The Gate pub, located on the border of Arkley and Totteridge (London Borough of Barnet), has a story, framed on its walls, describing a visit by Pavlova and her dance company.

Between 1912 and 1926, Pavlova made almost annual tours of the United States, traveling from coast to coast.


In 1914, Pavlova performed in St. Louis, Missouri, after being engaged at the last minute by Hattie B. Gooding, responsible for a series of worthy musical attractions presented to the St. Louis public during the season of 1913–14. Gooding went to New York to arrange with the musical managers for the attractions offered. Out of a long list, she selected those who represent the highest in their own special field, and which she felt sure St. Louisans would enjoy. The list began with Madame Louise Homer, prima donna contralto of the Metropolitan Grand Opera Co., followed by Josef Hoffman, pianist, and Anna Pavlova and the Russian ballet. For the last, the expenses were $5,500.00 ($142,278 in 2019 dollars) for two nights, and the receipts $7,500.00 ($194,015 in 2019 dollars), netting a clear gain of $2,000.00 ($51,737 in 2019 dollars); her other evenings were proportionately successful financially. The advance sales were greater than any other city in the United States. At the Pavlova concert, when Gooding engaged, at the last hour, the Russian dancer for two nights, the New York managers became dubious and anxiously rushed four special advance agents to assist her. On seeing the bookings for both nights, they quietly slipped back to New York fully convinced of her ability to attract audiences in St. Louis, which had always, heretofore, been called "the worst show town" in the country.


In 1915, she appeared in the film The Dumb Girl of Portici, in which she played a mute girl betrayed by an aristocrat.


In 1916, she produced a 50-minute adaptation of The Sleeping Beauty in New York City. Members of her company were largely English girls with Russianized names. In 1918–1919, her company toured throughout South America, during which time Pavlova exerted an influence on the young American ballerina Ruth Page.


The Jarabe Tapatío, known in English as the "Mexican Hat Dance", gained popularity outside of Mexico when Pavlova created a staged version in pointe shoes, for which she was showered with hats by her adoring Mexican audiences. Afterward, in 1924, the Jarabe Tapatío was proclaimed Mexico's national dance.


In 1928, Anna Pavlova engaged St. Petersburg conductor Efrem Kurtz to accompany her dancing, which he did until her death in 1931. During the last five years of her life, one of her soloists, Cleo Nordi, another St Petersburg ballerina, became her dedicated assistant, having left the Paris Opera Ballet in 1926 to join her company and accompanied her on her second Australian tour to Adelaide, Brisbane and Sydney in 1929. On the way back on board ship, Nordi married Pavlova's British musical director, Walford Hyden. Nordi kept Pavlova's flame burning in London, well into the 1970s, where she tutored hundreds of pupils including many ballet stars.


Victor Dandré, her manager and companion, asserted he was her husband in his biography of the dancer in 1932: Anna Pavlova: In Art & Life (Dandre 1932, author's foreword). He died on 5 February 1944 and was cremated at Golders Green Crematorium and his ashes placed below those of Anna.


Pavlova appeared as herself, played by Maria Tallchief, in the 1952 film The Million Dollar Mermaid.


In 1980, Igor Carl Faberge licensed a collection of 8-inch full lead crystal wine glasses to commemorate the centenary of Pavlova's birth. The glasses were crafted in Japan under the supervision of The Franklin Mint. A frosted image of Pavlova appears in the stem of each glass. Originally each set contained 12 glasses.


Pavlova's life was depicted in the 1983 film Anna Pavlova.


A McDonnell Douglas MD-11 of the Dutch airline KLM, with the registration PH-KCH carried her name. It was delivered on August 31, 1995.


The most recent attempt to move Pavlova's remains to Russia came in 2001. Golders Green Crematorium had made arrangements for them to be flown to Russia for interment on 14 March 2001, in a ceremony to be attended by various Russian dignitaries. This plan was later abandoned after Russian authorities withdrew permission for the move. It was later revealed that neither Pavlova's family nor the Russian Government had sanctioned the move and that they had agreed the remains should stay in London.

Family Life

Anna was born to Lyubov Feodorovna and Lazar Polyakov. Anna later married her manager, Victor Dandre.

🎂 Upcoming Birthday

Currently, Anna Pavlova is 141 years, 7 months and 14 days old. Anna Pavlova will celebrate 142nd birthday on a Sunday 12th of February 2023. Below we countdown to Anna Pavlova upcoming birthday.


Recent Birthday Highlights

136th birthday - Sunday, February 12, 2017

Happy 136th Birthday Anna Pavlova

Today is the 136th birthday of the prima ballerina Anna Pavlova. She elevated the art of dance to celebrity status. The world is a better place because she was in it and still feels the loss that s…

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